• Charles Mingus Quotes
• Pithecanthropus Erectus Charles Mingus Rarity
• Charles Mingus Discography

Tracklist:

Written-By – Charlie Mingus. (tracks: 1, 3, 4), George & Ira Gershwin (tracks: 2) Notes Recorded on Jan 30, 1956 and released as Atlantic Pithecanthropus Erectus 1237 in 1956. From the 'Pithecanthropus Erectus' LP 1956. Charles Mingus – bass. Jackie McLean – alto saxophone. J. Monterose – tenor saxophone. Mal Waldron – piano. This album is mostly a composite of Pithecanthropus Erectus and Mingus at the Bohemia, two sessions recorded about a month apart in 1955-56 by the Charles Mingus Quintet. Disappointingly, though still great, 'Love Chant' is an alternate take (at half the length) than the superior version on the original Pithecanthropus Erectus.

CD1
1. Charles Mingus - I Left My Heart In San Francisco

• Discover releases, reviews, credits, songs, and more about Charlie Mingus. Pithecanthropus Erectus at Discogs. Complete your Charlie Mingus. collection.
• Pithecanthropus Erectusis a 1956 album by jazzcomposer and bassist Charles Mingus. Mingus noted that this was the first album where he taught arrangements to his musicians by earin lieu of putting the chords and arrangements in writing.

2. Charles Mingus - Reincarnation Of A Lovebird
3. Charles Mingus - Peggy's Blue Skylight
4. Charles Mingus - Love Is A Dangerous Necessity (Incomplete)
5. Charles Mingus - Blue Bird
6. Charles Mingus - Pithecanthropus Erectus
CD2
1. Charles Mingus - Reincarnation Of A Lovebird (Warm Up And First False Start)
2. Charles Mingus - Reincarnation Of A Lovebird (Second False Start)
3. Charles Mingus - Reincarnation Of A Lovebird (Third False Start)
4. Charles Mingus - Reincarnation Of A Lovebird (Incomplete)
5. Charles Mingus - Peggy's Blue Skylight (First False Start)
6. Charles Mingus - Peggy's Blue Skylight (Second False Start)
7. Charles Mingus - Peggy's Blue Skylight (Third False Start And Rehearsal)
8. Charles Mingus - Peggy's Blue Skylight (Alternate Fast Version)
9. Charles Mingus - Blue Bird (Incomplete)
10. Charles Mingus - Reprise
11. Charles Mingus - Love Is A Dangerous Necessity (First False Start)
12. Charles Mingus - Love Is A Dangerous Necessity (Second False Start)
13. Charles Mingus - Pithecanthropus Erectus (First Take, Incomplete)
14. Charles Mingus - Pithecanthropus Erectus (Reprise)
15. Charles Mingus - Pithecanthropus Erectus (Rehearsal)
16. Charles Mingus - Pithecanthropus Erectus (False Start)
17. Charles Mingus - Pithecanthropus Erectus (To The End)
18. Charles Mingus - Pithecanthropus Erectus (Mingus' Explanation, Restart)


Charles MINGUS - Pithecanthropus Erectus 1956
Jazz
One of the great figures in modern jazz, bassist Charles Mingus was the ultimate triple threat: a master of his instrument, a jazz composer of the first rank, and an insightful leader of a series of extraordinary and incendiary bands. Raised in Los Angeles, Mingus was a devotee of Duke Ellington, whose compositional style had an unsurpassed effect on the young composer. As a player, however, Mingus was drawn to his contemporaries, who included Thelonious Monk, Bud Powell, Charlie Parker, and Max Roach (indeed, Roach and Mingus co-owned their own Debut Records during the '50s). Perhaps his greatest contribution was bridging the gap between those two generations: in Mingus's music, one could always explicitly hear the continuity between the big bands and the bebop era, the affinity between the romantic and the modern. Although he had recorded extensively for numerous labels including his own Debut Records, Mingus's relationship with Atlantic would yield many of his greatest recordings. Cut in 1956, Pithecanthropus Erectus was his first date for the label, and it provided something of a breakthrough for Mingus in his use of extended compositions: the 10-minute title track, and the lovely 'Profile of Jackie,' are among the bassist's finest recordings. The band is notable for the inclusion of the under-recorded tenor saxophonist J.R. Monterose.
By Fred Goodman.
**
This is a showcase for Mingus the bassist as well as Mingus the composer. His sound is recorded extremely well, and his technique, sense of rhythm, and improvisation are just astonishing. I've never heard his bass so well before.
He begins the title cut with a 4-bar motif that's almost as compelling as 'A Love Supreme.' He works this motif with virtuosity, and he is especially effective in his interplay with the pianist, Max Waldron. While some may see this as a harbinger to free jazz, it's really quite accessible, and the 'wild' sounds return logically to the theme. Emotionally gratifying; it's one of his best works.
The big disappointment here is 'A Foggy Day (in San Francisco).' Mingus places various urban sound effects, which 'The Penguin Guide to Jazz' calls superficially jokey.' To me, it's just simply annoying. The repeated taxi horn sounds, etc. are just done too often. Were it not for the overall quality of the other music, I'd take away a * from this CD. Foggy Day does feature some nice sax work (Jackie McLean, J.R. Monterose), swinging bass, and some whistle blowing a la 70's and 80's funk. (Was Parliament listening?).
'Profile of Jackie' is a brief (3:07) mood piece, McLean nicely interpolates 'Chelsea Bridge' and his playing is soulful and sharp. It's a beautiful ballad with nice comping by Mingus, and Willie Jones' deft touch on drums.

Charles Mingus Quotes

Love Chant is the longest piece here (14:56) and, I think, is overlooked in the Mingus discography. There's some very progressive bass work propelling an initially slightly cool jazz/modal sound. The first third features interesting percussive effects, effective abstractions on the piano, and mellow tones on the horns. After this, the beat picks up (sometimes veering into some hard bop accents), and the horns soar above Mingus' beautiful playing. Once again, the Mingus/Waldron improvisations are excellent.
Again, this is an excellent CD, even with the somewhat overdone 'Foggy Day.' Not sure what they did, but it has an almost live sound to it that I loved. Brief liner notes by Nat Hentoff, and more extended notes on each cut by Mingus enhance one's appreciation of each track. Very highly recommended!
By M. Allen Greenbaum.
**
Charles Mingus- Acoustic Bass,
Willie Jones- Drums,
Also:
Jackie McLean, Mal Waldron, J.R. Monterose.

Pithecanthropus Erectus Charles Mingus Rarity

**

Charles Mingus Discography

01. Pithecanthropus Erectus (Mingus) 10:36
02. A Foggy Day (Gershwin, Gershwin) 7:50
03. Profile of Jackie (Mingus) 3:11
04. Love Chant (Mingus) 14:59
**
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